“In order to represent the buzz around the upcoming italian version of Wired magazine, Daniele Galiffa worked with Ogilvy Interactive on the project weWired.it – a visualization on the here tadacip brand different connections between time, people, themes, and social media (twitter, flickr, youtube, facebook) that contributed to the awareness of stop smoking

pills on this web the new magazine’s launch.

As the authors explain: “We decided to use a Node-Edge Graph representation in order to better understand the context where each item (author, post or picture) actually is. Using such representation could also offer a quick insight about “hidden” relationships among related http://cialis7days-pharmacy.com/lasuna-price.php items (more over among authors speaking about similiar themes). Real-time filters (such as time

range and/or social media) could also help to better http://pharmacy-online-24hour.com/trecator-sc-online.html understand and discover

conversations, without losing focus on the selected item.” “

(Quelle: http://www.wewired.it/)

“This is a remarkably original and impressive project. It not only exposes a detailed quasi-scientific approach to the art of dance, but

it also emphasizes the benefits of data visualization in the understanding of a fundamental form of human expression.

A joint project of choreographer William Forsythe and Ohio State University’s Advanced Computing Center for the Arts and Design (ACCAD) and the

Department of Dance, Synchronous Objects is strattera an extensive and unique resource. This project aims to create a large set of data visualization tools for understanding and buy lanoxin analyzing the interlocking systems of organization in the choreography of William Forsythe’s “One Flat Thing, reproduced” (2000). These systems were quantified through the collection of data and transformed into a series of objects -

synchronous objects – that work in harmony to explore those choreographic structures, reveal their patterns, and re-imagine what else they might look like. propecia here As the authors explain: “Our goal in creating these objects is to engage a broad public, explore cross-disciplinary research, and spur creative discovery for specialists and non-specialists alike.” “

Quelle: http://synchronousobjects.osu.edu/content.html

“Los ojos del mundo (the world’s eyes) illustrates the photos people visiting Spain leave behind

them as evidences of contemporary tourism in the country. What do

they see? What do they enjoy? Where do they travel to? Where do they come from? In order to

answer some of these questions, and make tourism a more quantifiable phenomenon, the authors used flickr’s large pool of photos (and its inherent women s health meds metadata) to produce a set of 3 alluring visualizations mapping different behavioral patterns across Spain: (un)photographed Spain – density and flows of photographers in the Iberian Peninsula; Spaces of Diversity – http://pharmacy-7days-canadian.com/cialis-professional-cost.html Britons weaving their path in Barcelona; and finally, Spaces of Activity – photos from Barcelona with tags related to ‘partying’.” (Quelle: http://visualcomplexity.com/vc)

Eyetracking = Okulographie = Blickbewegungsregistrierung = Aufzeichnung von Blickbewegungen einer Person mittels technischer Hilfsmittel Blickbewegungen

Fixationen: Fixationspunkt (= bestimmter Punkt im Raum) wird fokussiert, d.h. mit dem Blick erfasst Informationsaufnahme Auch bei Fixationen treten leichte Zitterbewegungen des Augapfels auf

Sakkaden: Sprung von einer Fixation zur nächsten („Blickwechsel“)
Keine Informationsaufnahme Ruckartige & sehr schnelle Augenbewegungen

Blickbewegungen erlauben Rückschlüsse auf Aufmerksamkeitsprozesse der Probanden

Quelle: (03. Mai 2009) www.tobii.com

Dieser Tisch zeigt auf, wer mehr und lauter redet. Vielleicht ein gutes Hilfsmittel, um mal auch stillere Wasser zu Wort kommen zu lassen. Das Projekt wurde am MIT entwickelt – via wmmna (As two people converse, LEDs?, embedded along the center of the table, are activated by the pattern of the exchange. Microphones pick up the duration and the volume of the conversation at regular intervals, and trigger light animation from the end where one speaks toward the other. If both people speak simultaneously, the lights start animating from both ends.)

Autor: Lira Nikolovska
Project advisor: Professor Chris Csikszentmihályi

Quelle: (20. Januar 2009) http://web.mit.edu/lira/www/projects/convtable.htm